Experience

• 3D Artist at Auleek

  Dhaka, BD

  February 2026 - Present

  • Contributed to a production photogrammetry pipeline, delivering production-ready game assets.
  
  • Processed high-resolution scan data into optimized real-time meshes suitable for in-engine use.
  
  • Performed mesh cleanup and validation to ensure engine-ready topology and technical accuracy.
  
  • Created efficient UV layouts with consistent texel density and optimal UV space utilization.
  
  • Authored high-quality PBR texture sets (Base Color/Albedo, Normal, Roughness, AO, etc.).
  
  • Focused on realistic material response and surface definition in Substance 3D Painter.
  
  • Optimized assets for Unreal Engine while maintaining strong visual fidelity.
  
  • Balanced performance and detail to meet real-time rendering constraints.
  
  • Collaborated with the production team to meet technical standards and project deadlines.

• External 3D Artist at Auleek

  Dhaka, BD

  September 2025 - January 2026

  • Processed raw photogrammetry scans – cleaned up and optimized scanned data to turn them into usable 3D assets.
  
  • Reconstructed high-poly meshes from scan data and retopologized them into clean, low-poly models.
  
  • Unwrapped UVs properly maintaining texel density, ready for texturing.
  
  • Create essential maps, such as Normal, Height, and Albedo, for game or cinematic-ready assets.
  
  • Textured using Substance 3D Painter, focusing on realistic surface details and material accuracy.
  
  • Optimized models to run smoothly in real-time engines without losing visual quality.
  
  • Created LODs (Level of Detail) to enhance performance in real-time environments.
  
  • Ensured clean topology and proper edge flow for both visuals and performance.

• Texture Artist at Red Bule Pixel Studio

  Dhaka, BD

  June 2024 - August 2025

  • Creating both realistic and stylized textures for game-ready 3D assets with a strong focus on storytelling and visual clarity.
  
  • Baking high-quality texture maps (Normal, AO, Curvature, ID, etc.) using Marmoset Toolbag.
  
  • Painting textures using Substance 3D Painter with a manual, layer-by-layer PBR workflow.
  
  • Maintaining proper texel density across all assets to ensure consistent resolution and performance.
  
  • Creating clean and efficient UV layouts using Autodesk Maya.
  
  • Exporting and integrating textures and materials into both Unreal Engine and Unity game environments.
  
  • Adapting to different art directions—ranging from stylized hand-painted props to photorealistic environments.
  
  • Collaborating with modelers, shader artists, and environment leads to achieve cohesive visuals.
  
  • Optimizing texture sets for game engines without compromising visual quality.

• Former Intern at Creative IT Institute

  Dhaka, BD

  January 2023 - March 2023

  • Developed skills in 3D modeling using Autodesk Maya and ZBrush.
  
  • Practiced PBR texturing using Substance 3D Painter for game-ready assets.
  
  • Explored interior and product rendering techniques using V-Ray and KeyShot.
  
  • Simulated realistic cloth assets using Marvelous Designer.
  
  • Created product visualization scenes including lighting, shading, and presentation.
  
  • Participated in group projects and submitted weekly assignments under instructor supervision.
  
  • Gained a strong foundation in asset pipelines for both gaming and product industries.